The Scissors

Description

The Scissors is a story, not an argument. It begins from a simple idea — that every action is taken at a single point, a dot, and sets something in motion that does not respect distance or intention — and follows the consequences outward through people and systems already under strain. Catastrophe, it shows, does not require malice; harm does not require intent. Structured in three movements — the dot, the ripple, the cut — it is the corpus’s thinking about foreseen and unforeseen consequences told as narrative rather than derivation. As its narrator says, it is not a warning. It is a record.